There is one more light I'm not really comfortable with and that is the standing lamp (number 5). The second reason is because the darker the room is the smaller it feels, and our goal is to make this space as cozy as possible. That is because of two things: for one thing it looks like a working space and we would definitely not want to concentrate on that.
Well it will obviously be the ones in the back. We have four more light sources left in the room (I'm counting the lamps numbered 6 as one) and we know we won't need that many for our date night. We want to create an atmosphere in the render that would exist if we were on a date in this particular room in real life, and for that we probably wouldn't need the main light. One thing is for sure: the light on the ceiling will have to be turned off. Let us analyze to begin with and lay down the guidelines which we will be following! The first thing that has to be strikingly different is the amount of light in the room (Fig.01). As I said, I presume you have read the previous chapters of this tutorial and so I will start with my bright, overcast night-shot scene. All together there are three night-time lighting schemes and this is the final and yet most exciting one, as it has a romantic lighting theme.
#Groundbreaking zbrush tutorials series#
Since this is a part of a series I assume you have read the previous parts as well.
Greetings everyone! I would like to thank you all for reading this tutorial and I hope you will find it useful if you are looking for some tips on interior lighting.
#Groundbreaking zbrush tutorials full#
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